"Paños" originated as a prison art form in the Southwestern United States, drawings done in pen on handkerchiefs and sheets. These works often reflected common themes, symbols of faith, and images of the Chicano political movement. Symbols such as clocks, hourglasses and "Laugh Now, Cry Later" masks were common, expressing the consequences of life in the slums. Paños became a means of communication, but also an art form that reflected real life in prisons and streets, as well as memories of past lives.